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關鍵詞關鍵詞：電子影音、數位化、資料庫、數位博物館、網路、詮釋資料、語音辨識、分鏡偵測、檢索、搜尋、串流、發行、片庫管理、自動偵測、虛擬實境、錯誤容忍回復、台灣原住民、文化資產 計畫名稱：台灣社會人文電子影音數位博物館 「台灣社會人文電子影音數位博物館」是一個以研究電子影音(video and audio)資料典藏為目標的應用性研究推廣計畫。本計畫主要是以國立台北藝術大學科技藝術研究中心李道明副教授十多年來，從事台灣社會與人文相關紀錄片的製作工作，所拍攝蒐錄的專業16mm電影與Betacam錄影帶達五、六千卷（約兩、三千小時）為基礎，由李副教授免費提供成為民眾共享之資源，藉由國立台北藝術大學科技藝術研究中心與中央研究院資訊科學研究所及中央研究院計算中心三個學術單位間的合作方式，建立一個供社會大眾免費使用的電子影音數位博物館。此舉除可保存台灣重要的影像文化資產外，並可提高這些文化資產再利用之價值。中研院資訊所與計算中心，將可自由運用這批影音資料，一方面驗證目前已發展出來的電子影音資料搜尋、檢索、詮釋資料分析等技術；另一方面，資訊所與計算中心可繼續用這批影音資料發展新的研究領域，為我國在發展電子影音數位資料庫之應用技術上做出貢獻。 本數位博物館預計為三年計畫。第一年已申請獲得九十年度國科會數位博物館計畫之補助，自民國九十年五月一日起開始進行研究，至今已獲得初步成果。第一年在內容部分的主要工作，是將有關台灣原住民各族傳統生活方式、祭儀、工藝、音樂等傳統文化，與台灣原住民現代政治、經濟、醫療、文化、藝術等相關影音資料進行整理、數化、分析及建立詮釋資料，並與中研院資訊所與計算中心合作，藉由現有相關技術與設備的整合應用，結合台北藝術大學科技藝術研究所與研究中心在網路、多媒體、視覺藝術、腳本設計與電腦網站建構之經驗，建立一個電子影音數位博物館的原型（prototype）。 第二年計畫的計畫內容是：繼續完成台灣原住民影音資料的詮釋資料著錄工作，充實電子影音數位博物館有關台灣原住民之展示內容外，也將繼續整理、分析及呈現李道明副教授所拍攝蒐集之其他有關台灣政治民主化、環保與生態、婦運、工運等社會人文領域之電子影音資料，並繼續進行電子影音辨識、搜尋、檢索等技術的進一步開發與應用研究工作，並可初步建立電子影音數位資料庫後端管理機制。於應用的單元設計上，我們延續第一年成果設計有影音主題展示、影音資料庫、動態 e-Movie，另增加影音e-Learning、影音e-Editing等單元。藉這些單元設計，使全民學習到過去台灣社會演變的過程，使其達到生動、深刻與普及之學習目標。在e-Editing單元，我們將規劃片庫管理系統，使使用者可儲存其所檢索之影片，並隨時串連播放。本數位博物館除在學術研究上及產業應用上能提供影片相關資料作加值應用外，更提供一般民眾平易且輕鬆的透過網路學習，從生動活潑的影片上認識台灣與關懷台灣。 本第二年計畫共規劃有三個子計畫： （1）子計畫一：「電子影音資料數位化、詮釋資料建置與展示內容規劃」，負責資料之分析與數位化及影音詮釋資料之建置，並規劃子計劃二之展示內容。 （2）子計畫二：「電子影音互動式虛擬應用與視覺化設計」，負責影音資訊應用規劃設計、網站展示腳本設計、活潑生動的資訊視覺化設計、及互動式虛擬實境學習設計。 （3）子計畫三：「電子影音處理技術與檢索系統建置」，分為3個研究群組： 1. 影音整合研究群，主要負責設計高效率的資訊檢索軟體與內容管理機制，研發電子影音資料之使用環境及資訊呈現軟體，以建置電子影音檢索、串流發行整合支援環境 1. 影像處理研究群，主要進行電子影音分鏡偵測及錯誤容忍回復支援系統建置，負責配合子計畫一之需求，研發建構電子影音詮釋資料所需之鏡頭變換自動偵測及錯誤容忍回復等技術。 2.
聲音處理研究群，主要是進行電子影音之聲音處理與檢索系統建置。 |
計畫英文摘要
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Keywords： Video,
Digitization, Archive, Digital Museum, Internet, World Wide Web, Metadata,
e-Commerce, e-Editing, e-Learning, e-Movie, Shot-change Detection, Speech
Recognition, Indexing, Search, Streaming, Distribution, Visual Art, Information
Visualization, Error Resilient System, Cultural Heritage, Taiwan Indigenous
Peoples, Title：Digital Museum of Taiwan’s Humanities and Social Video
Archive "Digital
Museum of Taiwan's Social and Humanities Video Archive" is an
applied research project based on the study of video and audio archival
footage. The main goal of this
project is to develop a digital video museum based on the 3,000-hour 16mm and
Betacam video footage owned by Associate Professor Daw-Ming Lee of Center for
the Study of Arts and Technology of the Taipei National University of the
Arts. This digital museum will be not
only the first of its kind in Taiwan, but one of the few in the world, based
primarily on video presentation of archival footage. All resources in this digital museum will be available to the general
public free of charge. This project will not only preserve important film
and video image resources of Taiwan through digitization, but also will
heighten the reusable value of them. The content of this digital museum will
contribute to the verification and further development in the fields of
video-based technologies in search, indexing, metadata retrieval by
scientists of the Institute of Information Science and Computing Center of
Academia Sinica. This is a three-year project. We have received funding
from NSC for our first year research to develop such a video-based digital
museum in Taiwan, starting from May 1, 2001. So far, we have built a rough
version of the prototype of such a museum. Content of the first year centers
on Taiwan indigenous people’s traditional culture, such as their ways of
living, rituals and ceremonies, crafts and art, music, as well as their
current political, social, economical, medical, cultural and art situation.
We have organized videotapes related to these topics and start to digitize,
analyze, and extract metadata from them. In cooperation with scientists of
IIS and CC of Academia Sinica, artists and professional people from Center
for the Study of Technology and Art of Taipei National University of the Arts
were able to construct a prototype of a video digital museum, with their expertise
in web art, multimedia, visual art, scriptwriting and website construction. In the second year we will continue to extract and record
metadata of the video involving Taiwan indigenous culture. Content of the web
pages of our digital museum will also be expanded and enriched. We will also
begin to digitize, analyze and extract metadata from videotapes regarding
other topics like Taiwan’s political democratization, ecology and environment
protection, women’s movement and labor movement. We will also continue our
research and development in the fields of video and audio signal recognition,
differentiation, search and indexing, etc. By the end of the second year, we
should be able to establish a rough mechanism for backend archive management.
As for the designing of web pages and web content, we will continue our first
year work, complementing it with more sections, such as video-based e-Movie,
e-Learning, e-Editing. Through these sections, visitors to our digital museum
website should be able to learn in a lively and in-depth way the process of
social change in Taiwan. In the e-Editing section, we will design a video
archive management system to allow viewers to store footage they searched and
edit the footage into one single film for viewing. This digital museum of
Taiwan’s social and humanities video is built not only for the academic
research and industrial application purpose, but also for general public and
young students to learn and care about Taiwan in an easy and lively way
through world wide web and internet. In the second year, this project has organized three
sub-projects, each deals with the need in content, technology or
visualization aspects. They are: Sub-project
#1: “The Digitization and Metadata Organization of Video Archival Footage and
the Planning of Exhibition Content” is responsible for analyzing and
digitizing video material and extracting metadata from them, as well as
planning the webpage content in association with Sub-project #2. Sub-project
#2: “The
Application of Video in Virtual Reality and the Design and Study of Video
Information Visualization” is in charge of designing the application of the
video content from Sub-project #1, the webpage script development,
information visualization and development of an interactive virtual reality
study experiment. Sub-project #3: “Development of Audio an Video Processing
Techniques and a Retrieval System for Video Archive” is further divided into
three research groups: 1. Video/Audio
Technique Integration Group is responsible for designing and implementing
management software for the video digital museum. 2. Video Processing
Research Group is concerned with content-based information management,
demonstration, and retrieval of visual data and robust transmission. 3. Audio Processing Research
Group is to develop video retrieval technology based on speech recognition
and spoken document retrieval technologies. |
An FRBR-based Metadata for Video Archives in Taiwan（Tutorial III; 7）
In essence, characteristics of video are different from other data （such as books and journals）, due to video is a hybrid carrier of audio and visual media. The “Digital Museum of Taiwan’s Social and Humanities Video Archive” Project is mainly focused on video related to Taiwan aborigines research. Many digital video library projects around the world have also been developed a variety of metadata formats for video data, but a common achievement has not been attained yet for metadata adoption. In this paper, several focal points will be addressed as follows:
Ø Review of existing metadata formats and approaches for video archives
Ø Metadata purpose and position for video archives
Ø Approach and discussion: Implementation of FRBR model-based metadata format
Ø Findings
Ø Conclusion